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The film is ultimately a simple class tragedy, but remains a compelling story that has stood the test of time.In adapting the feature from his TV series of the same name, Kuroda mostly restrains himself from going too “big” with animation flourishes, working carefully to recreate the feel of Industrial Age Antwerp, and servicing the story with quiet, beautiful artwork and scenes that take their time to unfold. Fullmetal Alchemist the Movie: The Conqueror of Shamballa (2005) Director: Seiji Mizushima Hiromu Arakawa’s Fullmetal Alchemist is one of the most critically successful manga and anime series of the early 2000s. After all, despite now being one of the most ubiquitous cultural properties of the 21st century, anime, thanks to over a century’s worth of the medium’s evolution and reinvention, is especially difficult to define.From the five-minute shorts of Oten Shimokawa in 1917, to the feature-length animations produced during World War II, to the pioneering production cycles of Tezuka in the ’60s and the auteurist innovations of the likes of Miyazaki and many others towards the latter half of the last century, anime has morphed through countless phases.A self-contained story revolving around college student Morisato Keiichi and the Goddess Belldandy, the film finds ways to inject more drama and urgency into the typically light-hearted romance of the original story, while the longer run time allows more room for character development and deepened motivations for all of the main cast members.Putting Belldandy at the center of a plot to hack the Yggdrasil computer in the heavens (long story) and forcing Keiichi to grapple with what Belldandy has come to mean to him places the romance and sweetness that was always the heart of this series in the foreground. Dallos (1983) Director: Mamoru Oshii Of the many films that Mamoru Oshii has directed, Dallos is inarguably his worst.

Anime film owes much to the evolving means of production and distribution throughout the late 20th century, the breadth and audacity of the medium’s content widening and contracting along with its running time to cater to the emerging palettes of audiences both new and old, at home and abroad.

The animation quality is very high, with some well integrated CGI allowing Fujishima’s wilder concepts to finally reach fruition in a way the more limited OVA budget couldn’t. My Goddess: The Movie was well-received by both critics and audiences, and spawned two later TV series that were similarly well regarded. With a subpar space opera plot that’s been described by anime historians such as Helen Mc Carthy and Jonathan Clements as “an unremarkable rip-off of Robert Heinlein’s The Moon Is a Harsh Mistress” and an animation style that could only be charitably described as low budget, showing little to nothing of the mark of its director who later become known for the likes of Patlabor 2 and Ghost in the Shell, there’s a reason why Dallos occupies the darkest unknown corners of Oshii’s oeuvre. Because despite its overall lackluster production, that quality is all but eclipsed by the sheer magnitude of its historical significance.

In the wake of today’s popular fantasy seinen/shonen titles, Ah! Either way, this sweet, fun romance is worth checking out. Simply put, Dallos was the first anime to be marketed and sold as a multi-part home video production, introducing a new format free of the restrictions of conventional theatrical and televised animation and opening anime up to the west That might ring as somewhat faint praise now in the year 2016, but were it not for the precedent of Dallos’ release, the means through which anime would have found its international audience during the 1980s would not have existed. He easily could have have been describing the spirit of When Marnie Was There, the second film directed by Hiromasa Yonebayashi and the last Ghibli production before the studio’s hiatus following Hayao Miyazaki and Isao Takahata’s retirement in 2013.

Despite this glowing association, few of Hosoda’s handful of films have managed to graze the same strata of cinematic accomplishment and canonical enshrinement that typifies the storied career of the Studio Ghibli luminary. The story follows that of Ren, an orphaned boy who, after stumbling through an Alice in Wonderland-style passageway into a world of mythical creatures, is adopted as a pupil by the brash and indolent swordmaster Kumatetsu, who vies to become the lord of all beasts.

All of the surface components of a great film are there, with stunningly crisp animation, charged fight scenes, and a tasteful use of computer graphic imagery to accentuate these sequences.

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